Emily Mackenzie 50 Shades Of Scotland Print
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In Antoine Maillard's head wanders the pleasure of drawing, the tendency to precision and the affection for troubled atmospheres. From all this, he makes captivating drawings, witnesses of a thousand stories. His thriller and debut album L'Entaille (Cornélius) did that and much more in a reçûtes that mixed the Italian giallo and the American teen movie. The result was breathtaking and the pages turned without brake. But there is no need for stacked drawings to be stunned by the work of Toulouse. A single illustration is enough, at the turn of a page of Libé or the New Yorker, to immerse yourself in works of immediate beauty and well-hidden stories.